The Profligate Son has been selected by Jonathan Yardley of The Washington Post as one of his favourite books of 2013. Nicola is delighted to appear alongside such luminaries as J.G. Ballard and Edna O’Brien!
Oxford University Press are running a Christmas Competition to win a Fortnum & Mason Family Christmas Hamper worth £200!
All you have to do to enter is pay close attention to the short clip below of Nicola talking about her latest book, The Profligate Son, and then head over to the OUP competition page to answer a simple multiple choice question. Full details, and rules are on their site. The closing date is the 18th December 2013. UK residents only.
Nicola wrote a great piece for the Oxford University Press blog:
In eighteenth and early nineteenth-century England, prisons were popular tourist sites for wealthy visitors. They were also effectively run as private businesses by the Wardens, who charged the inmates for the privilege of being incarcerated there. Indeed prisoners from the higher ranks of society, who had the means to pay for better accommodation, routinely expected to be treated better than lower class or “common” criminals. Between 1810 and 1814, William Collins Burke Jackson, the son of a wealthy East India Company merchant, had the great misfortune of being able to sample the amenities offered to young gentlemen within five different penal institutions. Here is a brief tour of three of them.
Susan Elkin has written a great review of The Profligate Son.
As in so many families, the father/son relationship in this case was complex and dogged by inflexibility and the total inability of either man to understand the other’s problems. Nicola Phillips’s excellently researched book ensures that, 200 years later, we see both points of view and she is especially good at comparing William’s difficulties with those facing young people today, as well as using his tragic story to illuminate Regency attitudes.
Henrik Bering reviewed The Profligate Son for The Wall Street Journal. Sadly you’ll need a WSJ subscription to read the full review, but here is an excerpt.
“A tale of juvenile folly turning into serious crime is afforded by Nicola Phillips’s splendid ‘The Profligate Son’… [which] charts the boy’s chosen path to its sordid and inevitable end and in the process makes an age come wonderfully alive.”
Rakes and Profligate Sons were common characters in eighteenth- and nineteenth-century fiction as this review from the blog History in the Margins makes clear:
‘From Jane Austen’s Wickham through Charles Dickens’ array of extravagant cads to the latest Regency romance, the dissipated wastrel who throws away his family fortune, or at least his good name, is a familiar character to anyone who reads novels written (or set) in Britain in the first half of the nineteenth century. They drink, whore, gamble, lie, cheat, and steal. Some attempt to marry–or kidnap–heiresses. Some attempt to push the rightful heir out of the family fortune. A desperate few take to the High Toby. When they fail, as they generally do, some flee to the Continent. Others are shipped off to the colonies, either by weary families or the legal system. A few reform. Fictional black sheep are fascinating, but they often left me wondering whether anyone ever really acted that way. According to historian Nicola Phillips, the answer is yes. In The Profligate Son or, A True Story of Family Conflict, Fashionable Vice, & Financial Ruin in Regency England, she tells the story of a real-life Regency wastrel, tracing his downfall in agonizing detail. His story is as gripping, and more tragic, as that of any of his fictional counterparts. ….
The story is fascinating …. Be warned, once you’ve read The Profligate Son, Regency wastrels will never look dashing again.’
Nicola will be running a workshop on writing family and local history at Kingston Connections, a programme of talks, workshops, debates, music, poetry and performances to explore the concept of storytelling in its broadest sense. Running from 22nd – 30th June 2013. You can book tickets at the Rose Theatre.